Famous Historic Glass Engravers You Should Know
Glass engravers have been extremely knowledgeable craftsmen and artists for hundreds of years. The 1700s were particularly noteworthy for their accomplishments and popularity.


For instance, this lead glass goblet demonstrates how etching integrated style trends like Chinese-style motifs into European glass. It also shows exactly how the skill of a good engraver can produce imaginary deepness and aesthetic structure.

Dominik Biemann
In the very first quarter of the 19th century the typical refinery area of north Bohemia was the only area where ignorant mythical and allegorical scenes etched on glass were still in vogue. The goblet imagined here was etched by Dominik Biemann, who focused on small portraits on glass and is regarded as among one of the most vital engravers of his time.

He was the kid of a glassworker in Nové Svet and the sibling of Franz Pohl, one more leading engraver of the period. His work is characterised by a play of light and darkness, which is especially evident on this goblet displaying the etching of stags in woodland. He was also recognized for his service porcelain. He died in 1857. The MAK Museum in Vienna is home to a large collection of his jobs.

August Bohm
A remarkable Nurnberg engraver of the late 17th century, Bohm dealt with delicacy and a sense of calligraphy. He inscribed minute landscapes and engravings with bold formal scrollwork. His job is a forerunner to the neo-renaissance style that was to dominate Bohemian and other European glass in the 1880s and beyond.

Bohm embraced a sculptural sensation in both alleviation and intaglio engraving. He showed his mastery of the latter in the carefully crosshatched chiaroscuro (stalking) impacts in this footed goblet and cut cover, which shows Alexander the Great at the Battle of Granicus River (334 BC) after a painting by Charles Le Brun. Regardless of his significant skill, he never attained the popularity and fortune he looked for. He died in penury. His spouse was Theresia Dittrich.

Carl Gunther
Despite his vigorous job, Carl Gunther was an easygoing male that took pleasure in hanging out with family and friends. He enjoyed his day-to-day ritual of going to the Collinsville Elder Center to enjoy lunch with his buddies, and these minutes of sociability gave him with a much required reprieve from his requiring occupation.

The 1830s saw something rather remarkable occur to glass-- it ended up being colorful. Engravers from Meistersdorf and Steinschonau created engraved family name signs richly coloured glass, a preference known as Biedermeier, to satisfy the demand of Europe's country-house courses.

The Flammarion inscription has actually come to be a sign of this new preference and has actually appeared in books devoted to scientific research in addition to those checking out mysticism. It is additionally discovered in many museum collections. It is believed to be the only making it through example of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) started his job as a fauvist painter, however became attracted with glassmaking in 1911 when checking out the Viard siblings' glassworks in Bar-sur-Seine. They offered him a bench and showed him enamelling and glass blowing, which he mastered with supreme ability. He developed his very own methods, using gold streaks and exploiting the bubbles and various other natural imperfections of the product.

His approach was to deal with the glass as a living thing and he was just one of the first 20th century glassworkers to make use of weight, mass, and the visual result of natural imperfections as aesthetic components in his works. The exhibition demonstrates the substantial impact that Marinot had on contemporary glass manufacturing. Sadly, the Allied bombing of Troyes in 1944 ruined his workshop and thousands of drawings and paints.

Edward Michel
In the very early 1800s Joshua introduced a design that mimicked the Venetian glass of the period. He utilized a strategy called diamond point inscription, which involves damaging lines right into the surface of the glass with a hard metal apply.

He also established the initial threading machine. This invention allowed the application of long, spirally wound tracks of color (called gilding) on the main body of the glass, a necessary attribute of the glass in the Venetian design.

The late 19th century brought brand-new layout ideas to the table. Frederick Kny and William Fritsche both worked at Thomas Webb & Sons, a British company that specialized in top quality crystal glass and speciality coloured glass. Their work showed a preference for classic or mythological subjects.